Hunter’s images are very visual, encouraging the audience to seek answers within them.
His use of light often plays a major factor in his work, creating mood and a sense of what the images are about.
He uses well known or obvious material to inspire his work. Interpreting paintings and information and transforming them into narrative based images.
Hunter’s work tends towards social and political issues and focuses on unusual social stereotypes as subject matter treating individuals with a sense of self-worth, often using metaphors without including humour or irony, common in contemporary art. He also has a raconteur attitude to his work using contrived scenes to make bold statements that resonate with a broad range of the contemporary audience. He delivers his work with super-sleek presentation and technique. Every element he introduces into his images is deliberate; the composition, the subject, lighting and focal point.
He uses narrative in all his photography, making his work have a unique stamp, his stamp. His use of both contemporary photography juxtaposed with historical references is very intriguing. I enjoy his use of this especially in his series of images based on Shakespeare’s A Midsummer Night’s Dream, with his own modern twist again using light to create mood and atmosphere. He never strays too far from the purpose of using historical references, still keeping a similar theme, but just transporting his images to places that the audience can relate too.
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